Dear readers,
I'm always happy to see the days starting to get longer, even if rather slowly. Winter is a good time to cloister myself in my studio and get new work prepared for shows and deadlines over the next several months. For the first time, I'm sharing a photo progression of a scratchboard from start to finish, and it's a piece with a lot of impact - read on!
In this issue:
- Newsbytes and calendar
- Tidbits
- American Miniatures Show at Settlers West
- Scratchboard time lapse
- Readers Respond
* Does this email look wonky? See the issue online.
Newsbytes / calendar
In this issue
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Tidbits - on art
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American Miniatures Show - Settlers West Gallery, Tucson, AZ This is my first time exhibiting with the Settlers West American Miniatures Show, and I'm proud to take part. I'm sending two 9x12 pieces which form a diptych - a lovely pair when hung together. This bunch of blaze-faced youngsters had just come galloping up and were swirling about in a wonderful jumble of color and snort. |
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Scratchboard time lapse For the first time, I've tackled a sizable scratchboard - an 18x24 - and decided to make a photo progression of the piece to share with everyone. I was a bit intimidated by the sheer acreage of the board, since scratchboards require much more time to complete than a painting of equivalent size. Once I got going, however, I was hooked! The impact of a board this size is hard to describe. |
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Once my composition is worked out to size, I use transfer paper under the composition to create the guiding white outlines on my board. |
The board, after several days of work, is starting to reveal its secrets. |
Scratching with my tool of choice, your basic #11 xacto knife. The once-white glove with cut-off fingers is there to protect the board from hand oils. |
...After another day or two of work - and you can get a sense of the scale of the piece. (The board is propped on my painting easel). |
Finis. "Future Imperfect: Puma concolor", 18 x 24 Recently, two researchers at the University of Montana (right here in Missoula) co-authered a study with other scientists around the world which finds that most of the world's large carnivores - including cougars - are declining in number. (A lay summary of the study can be read here, and the full text here.) This has large ramifications for their respective ecosystems; effects can already be seen in West Africa, where olive baboons have proliferated due to the decline in lion and leopard numbers - and the baboons are having a deleterious impact on small ungulates, livestock, and crops. In Montana, the "trophic cascade" effects of the removal - and reinstatement - of wolves are well-documented. Once wolves were gone, deer and elk increased in number and in browsing of vegetation, disrupting birds, small mammals, and other parts of the ecosystem. A different cascade effect occurred with the near-extinction of sea otters - sea urchins proliferated, drastically reducing kelp, with negative effects on habitat for other sea life and on coastal waves (kelp help dampen these.) I have had the priceless privilege of seeing some of these predators in the wild (including lion, leopard, black bear, grizzly bear, sea otter, and wolf) and cannot imagine wild landscapes without these signature species. This is the first image in a series I plan to do honoring - and hopefully helping - the predators in decline; this cougar is asking what we will do about the situation. |
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READERS RESPOND - footnotes to the January Artzine: "Happy New Year to you Julie and thanks for making our world a more joyous and positive place with your talent. I sure like the Blaze Jumbles!!!!" Thank you, Rebecca L.! "I LOVE Trio, Really shows how important to understand how what isn't there...IS. "Each piece of Julie's art will now come with an insurance policy attached as people have been known to fall out of chairs when viewing these amazing pieces and we hate the thought of anyone being hurt by this work."... one of the funniest reader replies I can recall....thank you, Kara! |
That's it for February. I hope you have enjoyed this newsletter (and thank you to the many readers who respond after each Artzine, thus giving me good material for the "Footnotes" section :-) - if so, I encourage you to share it with anyone and everyone. I appreciate your help in building a bigger audience for my work!
Warmest regards,
Julie T. Chapman
Painting Today’s Wild West (and Africa!) with Contemporary Flair
(406) 546-2636
20900 Whitetail Ridge Road * Huson, MT 59846
Artsite: www.JulieTChapman.com
Find me on Facebook: www.facebook.com/JulieTChapmanArtist
** All images and text in this newsletter are copyright (c) 2013 Julie T. Chapman. I encourage you to forward this email as long as it includes this copyright notice - thank you!**